We live in the age of entertainment. Most of us spend hours every week being in the audience of some performance via television, and that experience may distort our view of worship. Søren Kierkegaard noted the problem in the nineteenth century. His parable is worth considering.
It is so on the stage, as you know well enough, that someone sits and prompts by whispers; [he is hidden;] he is the inconspicuous one; he is and wishes to be overlooked. But then there is another, he strides out prominently, he draws every eye to himself. For that reason he has been given his name, that is: actor. He impersonates a distinct individual. In the skillful sense of this illusionary art, each word becomes true when embodied in him, true through him—and yet he is told what he shall say by the hidden one that sits and whispers. No one is so foolish as to regard the prompter as more important than the actor.
Now forget this light talk about art. Alas, in regard to things spiritual, the foolishness of many is this, that they in the secular sense look upon the speaker as an actor, and the listeners as theatergoers who are to pass judgment upon the artist. But the speaker is not the actor—not in the remotest sense. No, the speaker is the prompter. There are no mere theatergoers present, for each listener will be looking into his own heart. The stage is eternity, and the listener, if he is the true listener (and if he is not, he is at fault) stands before God during the talk. The prompter whispers to the actor what he is to say, but the actor’s repetition of it is the main concern—is the solemn charm of the art. The speaker whispers the word to the listeners. But the main concern is earnestness: that the listeners by themselves, with themselves, and to themselves, in the silence before God, may speak with the help of this address.
The address is not given for the speaker’s sake, in order that men may praise or blame him. The listener’s repetition of it is what is aimed at. If the speaker has the responsibility for what he whispers, then the listener has an equally great responsibility not to fail short in his task. In the theater, the play is staged before an audience who are called theatergoers; but at the devotional address, God himself is present. In the most earnest sense, God is the critical theatergoer, who looks on to see how the lines are spoken and how they are listened to: hence here the customary audience is wanting. The speaker is then the prompter, and the listener stands openly before God. The listener … is the actor, who in all truth acts before God.*
The leaders of worship are prompters. Those in the assembly are the actors on the stage of life and eternity prompted by those who “whisper” the word, and God is the true audience.
*Thomas C. Oden, editor. The Parables of Kierkegaard, pp. 89-90.
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